Another form of medieval drama, the morality play, was first produced in England in the 1400s. Like the mystery and the miracle play, the morality play developed from religious pageants. Its purpose was to teach a lesson or to show the eternal struggle between good and evil for control of human beings. The morality play became more fully developed than other types of medieval drama, growing from a fairly simple religious play to a secular entertainment performed by professional companies of actors. While morality plays were primarily serious, the characters who represented evil were usually treated in a comical way to make the play more entertaining to the audience. The clowns and fools in the plays of William Shakespeare (1564-1616), such as Bottom in A Midsummer Night's Dream and Dogberry in Much Ado About Nothing, developed out spanish religious drama
In Spain during the Middle Ages drama became an important vehicle for religious teaching. Spanish religious plays combined elements of the mystery play and the morality play. Human and supernatural characters mingled with symbolic figures, such as Grace, Pleasure, and Sin. Dramatists borrowed their stories from both secular and religious sources, adapting them to uphold church teachings. Like the English mystery plays the Spanish plays were performed outdoors on wagons.
of the comic characters in morality plays. Everyman, a favorite morality play of the 1500s, is still performed annually at a music and drama festival in Salzburg, Austria.
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