References and further reading

Belting, H., Mango, C. and Mouriki, D. (1978) The Mosaics and Frescoes of St Mary Pammakaristos.

Dumbarton Oaks Studies 15. Washington, DC: Dumbarton Oaks. Brubaker, L. and Haldon, J. (2001) Byzantium in the Iconoclast Era (ca. 680-850): The Sources.

An Annotated Survey. London: Ashgate. Carr, A. W. (1987) Byzantine Illumination, 1150-1250. Chicago: University of Chicago Press.

Cheremeteff, M. (1990) The transformation of the Russian sanctuary barrier and the role of Theophanes the Greek. In A. Leong (ed.) The Millennium: Christianity and Russia. Crestwood, NY: St Vladimir's Seminary Press. Cormack, R. (199 7) Painting the Soul: Icons, Death Masks, and Shrouds. London: Reaktion Books.

Demus, O. (1948) Byzantine Mosaic Decoration: Aspects of Monumental Art in Byzantium. London: Routledge and Kegan Paul. Reprinted 19 76.

Epstein, A. W. (1981) The Middle-Byzantine sanctuary barrier: templon or iconostasis? Journal of the British Archaeological Association 134: 1-20.

Forsyth, G. and Weitzmann, K. (19 73) The Monastery of St Catherine at Mount Sinai: Church and Fortress of Justinian. Ann Arbor: University of Michigan Press.

Freely, J. and Qakmak, A. S. (2004) Byzantine Monuments of Istanbul. Cambridge: Cambridge University Press.

GavriloviC, Z. (2001) Studies in Byzantine and Serbian Christian Art. London: Pindar Press.

Grabar, A. (1968) Christian Iconography: A Study of its Origins. Princeton, NJ and Washington, DC: National Gallery of Art.

Lazarev, V. N. (1983) Russian Icon Painting from its Origins to the Beginning of the 16th Century. Moscow: Iskusstvo.

Lowden, J. (1997) Early Christian and Byzantine Art. London: Phaidon.

Mango, C. (19 76) Byzantine Architecture. New York: Harry N. Abrams.

-(2000) Chora: The Scroll of Heaven. Istanbul: Ertug and Kocabiyik.

Mathews, T. F. (1993) The Clash of Gods: A Reinterpretation of Early Christian Art. Princeton, NJ: Princeton University Press.

Nandris, G. (19 70) Christian Humanism in the Neo-Byzantine Mural Paintings of Eastern Europe. Wiesbaden: Harrawssowitz.

Obolensky, D. (19 71) The Byzantine Commonwealth: Eastern Europe, 500-1453. London: Weidenfeld and Nicolson.

Ouspensky, L. (1992) Theology of the Icon, 2 vols. Crestwood, NY: St Vladimir's Seminary Press.

Ouspensky, L. and Lossky, V. (1982) The Meaning of Icons. Crestwood, NY: St Vladimir's Seminary Press.

Parry, K. (1996) Depicting the Word: Byzantine Iconophile Thought of the Eighth and Ninth Centuries. Leiden: Brill.

Piatnitsky, Y. et al. (2000) Sinai, Byzantium, Russia: Orthodox Art from the Sixth to the Twentieth Century. London: Saint Catherine Foundation in association with the State Hermitage Museum, St Petersburg.

Rice, D. T. (1968) Byzantine Painting: The Last Phase. New York: Dial Press.

Skawran, K. M. (1982) The Development of Middle Byzantine Fresco Painting in Greece. Pretoria: University of South Africa.

Stylianou, A. and J. A. (1985) The Painted Churches of Cyprus. London: Trigraph for A. G. Leventis Foundation.

Underwood, P. (1966-75) The Kariye Djami, 4 vols. London: Routledge and Kegan Paul.

Vassilaki, M. (ed.) (2000) Mother of God: Representations of the Virgin in Byzantine Art. Skira: Milan.

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