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Figure 3. Rembrandt Harmensz van Rijn, Saint Anna (1639), Kunsthistorisches Museum, Vienna

or marble dimensions of the mystery of Incarnation—the import of gravity, the consequences of materiality for luminosity, 'apotheosis', a particular subject of Reformation Catholic art, and flight.

Scholars have long debated the relationship between the Catholic Reformation and the Baroque style. Lutherans certainly adopted the Baroque style

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